Compare branches
Pick any two of the 12 tracked BPL branches to see what they share, what each over-indexes on, and how their adult-fiction tastes diverge.
Selected pair: Williamsburgh and Crown Heights have a 41% weighted overlap on adult demand pressure (37 titles tracked at both, 94 at either).
Brooklyn Heights | Central Library | Bushwick | Greenpoint | Williamsburgh | Bedford | Crown Heights | Flatbush | Bay Ridge | Coney Island | Kings Highway | Sunset Park | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Central / Downtown | ||||||||||||
| Brooklyn Heights | — | 10 | 42 | 49 | 38 | 34 | 40 | 51 | 48 | 36 | 50 | 42 |
| Central Library | 10 | — | 9 | 9 | 12 | 3 | 7 | 12 | 10 | 8 | 10 | 12 |
| North Brooklyn | ||||||||||||
| Bushwick | 42 | 9 | — | 35 | 32 | 32 | 32 | 39 | 41 | 35 | 35 | 35 |
| Greenpoint | 49 | 9 | 35 | — | 42 | 41 | 47 | 48 | 50 | 35 | 40 | 50 |
| Williamsburgh | 38 | 12 | 32 | 42 | — | 32 | 41 | 43 | 40 | 38 | 44 | 42 |
| Central Brooklyn | ||||||||||||
| Bedford | 34 | 3 | 32 | 41 | 32 | — | 31 | 38 | 39 | 33 | 35 | 37 |
| Crown Heights | 40 | 7 | 32 | 47 | 41 | 31 | — | 44 | 49 | 42 | 44 | 44 |
| Flatbush | 51 | 12 | 39 | 48 | 43 | 38 | 44 | — | 47 | 35 | 46 | 42 |
| South Brooklyn | ||||||||||||
| Bay Ridge | 48 | 10 | 41 | 50 | 40 | 39 | 49 | 47 | — | 39 | 42 | 47 |
| Coney Island | 36 | 8 | 35 | 35 | 38 | 33 | 42 | 35 | 39 | — | 37 | 35 |
| Kings Highway | 50 | 10 | 35 | 40 | 44 | 35 | 44 | 46 | 42 | 37 | — | 40 |
| Sunset Park | 42 | 12 | 35 | 50 | 42 | 37 | 44 | 42 | 47 | 35 | 40 | — |
How this works
Each cell is a weighted overlap: across every adult title tracked at either branch, we compare the lower and higher branch demand-pressure values, then divide the sum of shared pressure by the sum of combined pressure. Books with strong demand at both branches count more; books strong at only one branch lower the overlap. Diagonals are self-matches (—). Branches are grouped by region (North / Central / South Brooklyn) for readability, and only the lower triangle is shown since the matrix is symmetric. If a book isn’t in one branch’s tracked pool, that side counts as no observed signal — not proof of zero real-world demand.
Shared titles
Strangers : a memoir of marriageBelle BurdenWilliamsburgh 65 −3 vs panel avg · Crown Heights 68 ~ panel avg
Atmosphere : a love storyTaylor Jenkins ReidWilliamsburgh 66 +5 vs panel avg · Crown Heights 65 +4 vs panel avg
Crying in H Mart : a memoirMichelle ZaunerWilliamsburgh 62 +8 vs panel avg · Crown Heights 68 +14 vs panel avg
Great big beautiful lifeEmily HenryWilliamsburgh 57 +6 vs panel avg · Crown Heights 65 +14 vs panel avg
More popular at Williamsburgh
| Title | Williamsburgh | Crown Heights | ||
|---|---|---|---|---|
| Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | |
 Inside the box : how constraints make us betterDavid Epstein | 51 +25 vs panel avg | 0/1 | 0 −26 vs panel avg | 1/1 |
 Tomorrow, and tomorrow, and tomorrowGabrielle Zevin | 41 −5 vs panel avg | 1/3 | 21 −25 vs panel avg | 2/3 |
 YellowfaceR F Kuang | 57 +13 vs panel avg | 0/2 | 41 −3 vs panel avg | 1/3 |
 The intruderFreida McFadden | 57 +13 vs panel avg | 0/2 | 49 +5 vs panel avg | 1/4 |
Martyr!Kaveh Akbar | 69 +7 vs panel avg | 0/4 | 62 ~ panel avg | 0/3 |
Hover the column headers for the full definition of each metric, or read the full methodology →
More popular at Crown Heights
| Title | Williamsburgh | Crown Heights | ||
|---|---|---|---|---|
| Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | |
0 −52 vs panel avg | 1/1 | 65 +11 vs panel avg | 0/4 | |
 Fourth wingRebecca Yarros | 0 −34 vs panel avg | 2/2 | 35 +1 vs panel avg | 3/6 |
 Parable of the sowerOctavia E Butler | 29 −17 vs panel avg | 1/2 | 51 +5 vs panel avg | 0/1 |
 Art work : on the creative lifeSally Mann | 29 −7 vs panel avg | 1/2 | 51 +15 vs panel avg | 0/1 |
 Wild dark shoreCharlotte McConaghy | 51 −4 vs panel avg | 0/1 | 65 +10 vs panel avg | 0/4 |
Hover the column headers for the full definition of each metric, or read the full methodology →
Distinctive to Williamsburgh
| Title | Williamsburgh | Crown Heights | ||
|---|---|---|---|---|
| Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | |
 IntermezzoSally Rooney | 70 +26 vs panel avg | 1/7 | 25 −19 vs panel avg | 2/3 |
 The sistersJonas Hassen Khemiri | 62 +6 vs panel avg | 0/3 | 51 −5 vs panel avg | 0/1 |
62 +9 vs panel avg | 0/3 | 51 −2 vs panel avg | 0/1 | |
 One hundred years of solitudeGabriel García Márquez | 62 +11 vs panel avg | 0/3 | 0 ~ panel avg | 0/0 |
 1984George Orwell | 51 −3 vs panel avg | 0/1 | 57 +3 vs panel avg | 0/2 |
Hover the column headers for the full definition of each metric, or read the full methodology →
Distinctive to Crown Heights
| Title | Williamsburgh | Crown Heights | ||
|---|---|---|---|---|
| Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | |
 On the calculation of volume. ISolvej Balle | 51 −3 vs panel avg | 0/1 | 62 +8 vs panel avg | 0/3 |
 Our perfect stormCarley Fortune | 0 −50 vs panel avg | 2/2 | 62 +12 vs panel avg | 0/3 |
61 +5 vs panel avg | 0/2 | 55 −1 vs panel avg | 0/1 | |
57 +1 vs panel avg | 0/2 | 51 −7 vs panel avg | 0/1 | |
 The Count of Monte CristoAlexandre Dumas | 57 +2 vs panel avg | 0/2 | 51 −1 vs panel avg | 0/1 |
Hover the column headers for the full definition of each metric, or read the full methodology →