Compare branches
Pick any two of the 12 tracked BPL branches to see what they share, what each over-indexes on, and how their adult-fiction tastes diverge.
Selected pair: Brooklyn Heights and Coney Island have a 36% weighted overlap on adult demand pressure (38 titles tracked at both, 95 at either).
Brooklyn Heights | Central Library | Bushwick | Greenpoint | Williamsburgh | Bedford | Crown Heights | Flatbush | Bay Ridge | Coney Island | Kings Highway | Sunset Park | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Central / Downtown | ||||||||||||
| Brooklyn Heights | — | 10 | 42 | 49 | 38 | 34 | 40 | 51 | 48 | 36 | 50 | 42 |
| Central Library | 10 | — | 9 | 9 | 12 | 3 | 7 | 12 | 10 | 8 | 10 | 12 |
| North Brooklyn | ||||||||||||
| Bushwick | 42 | 9 | — | 35 | 32 | 32 | 32 | 39 | 41 | 35 | 35 | 35 |
| Greenpoint | 49 | 9 | 35 | — | 42 | 41 | 47 | 48 | 50 | 35 | 40 | 50 |
| Williamsburgh | 38 | 12 | 32 | 42 | — | 32 | 41 | 43 | 40 | 38 | 44 | 42 |
| Central Brooklyn | ||||||||||||
| Bedford | 34 | 3 | 32 | 41 | 32 | — | 31 | 38 | 39 | 33 | 35 | 37 |
| Crown Heights | 40 | 7 | 32 | 47 | 41 | 31 | — | 44 | 49 | 42 | 44 | 44 |
| Flatbush | 51 | 12 | 39 | 48 | 43 | 38 | 44 | — | 47 | 35 | 46 | 42 |
| South Brooklyn | ||||||||||||
| Bay Ridge | 48 | 10 | 41 | 50 | 40 | 39 | 49 | 47 | — | 39 | 42 | 47 |
| Coney Island | 36 | 8 | 35 | 35 | 38 | 33 | 42 | 35 | 39 | — | 37 | 35 |
| Kings Highway | 50 | 10 | 35 | 40 | 44 | 35 | 44 | 46 | 42 | 37 | — | 40 |
| Sunset Park | 42 | 12 | 35 | 50 | 42 | 37 | 44 | 42 | 47 | 35 | 40 | — |
How this works
Each cell is a weighted overlap: across every adult title tracked at either branch, we compare the lower and higher branch demand-pressure values, then divide the sum of shared pressure by the sum of combined pressure. Books with strong demand at both branches count more; books strong at only one branch lower the overlap. Diagonals are self-matches (—). Branches are grouped by region (North / Central / South Brooklyn) for readability, and only the lower triangle is shown since the matrix is symmetric. If a book isn’t in one branch’s tracked pool, that side counts as no observed signal — not proof of zero real-world demand.
Shared titles
The correspondentVirginia EvansBrooklyn Heights 77 +10 vs panel avg · Coney Island 65 −2 vs panel avg
Strangers : a memoir of marriageBelle BurdenBrooklyn Heights 74 +6 vs panel avg · Coney Island 65 −3 vs panel avg
Atmosphere : a love storyTaylor Jenkins ReidBrooklyn Heights 72 +11 vs panel avg · Coney Island 65 +4 vs panel avg
More popular at Brooklyn Heights
| Title | Brooklyn Heights | Coney Island | ||
|---|---|---|---|---|
| Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | |
 All foursMiranda July | 72 +35 vs panel avg | 0/7 | 0 −37 vs panel avg | 1/1 |
51 +28 vs panel avg | 0/1 | 0 −23 vs panel avg | 1/1 | |
 The womenKristin Hannah | 66 +36 vs panel avg | 0/3 | 21 −9 vs panel avg | 2/3 |
 YellowfaceR F Kuang | 65 +21 vs panel avg | 0/4 | 29 −15 vs panel avg | 1/2 |
29 −4 vs panel avg | 1/2 | 0 −33 vs panel avg | 1/1 | |
Hover the column headers for the full definition of each metric, or read the full methodology →
More popular at Coney Island
| Title | Brooklyn Heights | Coney Island | ||
|---|---|---|---|---|
| Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | |
 Wuthering HeightsEmily Brontë | 41 +10 vs panel avg | 1/3 | 55 +24 vs panel avg | 0/1 |
 A court of thorns and rosesSarah J Maas | 47 −9 vs panel avg | 2/6 | 57 +1 vs panel avg | 0/2 |
Martyr!Kaveh Akbar | 57 −5 vs panel avg | 0/2 | 65 +3 vs panel avg | 0/2 |
Hover the column headers for the full definition of each metric, or read the full methodology →
Distinctive to Brooklyn Heights
| Title | Brooklyn Heights | Coney Island | ||
|---|---|---|---|---|
| Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | |
 Tomorrow, and tomorrow, and tomorrowGabrielle Zevin | 74 +28 vs panel avg | 0/6 | 29 −17 vs panel avg | 1/2 |
 Rejection : fictionTony Tulathimutte | 66 +29 vs panel avg | 0/3 | 0 −37 vs panel avg | 2/2 |
 The strangerAlbert Camus | 65 +10 vs panel avg | 0/4 | 0 ~ panel avg | 0/0 |
 Mother Mary comes to meArundhati Roy | 62 +9 vs panel avg | 0/3 | 51 −2 vs panel avg | 0/1 |
 The sistersJonas Hassen Khemiri | 62 +6 vs panel avg | 0/3 | 51 −5 vs panel avg | 0/1 |
Hover the column headers for the full definition of each metric, or read the full methodology →
Distinctive to Coney Island
| Title | Brooklyn Heights | Coney Island | ||
|---|---|---|---|---|
| Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | Demand pressureBranch demand pressure: bounded 0–100 index combining scarcity (up to 80 pts when 0/N copies are on shelf) and recent movement (capped at 20). When public holds coverage is high enough across comparable books, scarcity is rebalanced to 0–65 and a 0–20 holds component is added. | Available | |
 Sense and sensibilityJane Austen | 66 +15 vs panel avg | 0/3 | 0 −51 vs panel avg | 1/1 |
 Great big beautiful lifeEmily Henry | 65 +14 vs panel avg | 0/4 | 29 −22 vs panel avg | 1/2 |
 Tom LakeAnn Patchett | 62 +6 vs panel avg | 0/3 | 57 +1 vs panel avg | 0/2 |
 None of this is trueLisa Jewell | 61 +6 vs panel avg | 0/2 | 51 −4 vs panel avg | 0/1 |
 The boyfriendFreida McFadden | 51 +1 vs panel avg | 0/1 | 51 +1 vs panel avg | 0/1 |
Hover the column headers for the full definition of each metric, or read the full methodology →